EPISODE TWENTY SIX  BLUE. For Points.

In EPISODE TWENTY SIX we set up a pub-style quiz game for you to play at home with your friends and family.  Many of us have had our geographical imaginations informed by geographical information that comes from atlases and encyclopedias.  Have you ever watched Jeopardy! or played Trivial Pursuit?  Do your best on these Geography Olympiad questions.

EPISODE TWENTY FIVE  Psychogeography 101

In Psychogeography 101 we discuss contemporary urban exploration practices with cultural theorist and psychogeographer Tina Richardson After tracing back to the mid-twentieth century work of the Situationist International, we outline what doing psychogeography looks like today and how it could—and should—be part of the practice of anyone seeking a better understanding of their own geographical imagination.

EPISODE TWENTY FOUR Countries & Capitals

In EPISODE TWENTY FOUR, Countries & Capitals, we seek to increase our geographic literacy by reviewing country names (in the order of most to least populated) while locating each within its region and naming its capital city.  At the same time we also critique the very same geographical imagination this limited view of geography constructs in our minds.  Test your skills by following along with this map.

EPISODE TWENTY THREE Deconstructing the Map w/ Denis Wood

Maps are ubiquitous in today’s world.  Our geographical imaginations are both expanded and limited by their form.  But, what is a map?  Roughly 25 years ago academic geographers began to seriously question their taken-for-granted history.  Rogue map deconstructionist Denis Wood explores with us Google Maps, critical cartography, the geo-body, Winnie the Pooh and North Carolina.

EPISODE TWENTY TWO Everyday Symphony Vol.1

Does a city have its own song?  A hum and beat that makes it unique?  Join us on this short expedition to record the soundscape produced by the everyday interactions of people and place in Old Town Salzburg.  With microphone in hand we drift through the narrow streets and lanes capturing a different kind of music and consider a different way of thinking about our sensory experience of place.